Kobo Abe was born in Tokyo on March 7, 1924. His given name was Kimifusa
("Kobo" is a Chinese-like pronunciation of "Kimifusa"). His father, a
doctor of the hospital attached to the Imperial Medical College of
Manchuria, raised Abe in the Japanese puppet state of Manchukuo. He
attended an "experimental learning" elementary school that focused on
debating and rapid reading (Abe could read one page in a few seconds).
As a young man, Abe was interested in mathematics and insect collecting
as well as the works of Poe, Dostoevsky, Nietzsche, Heidigger, Jaspers,
and Kafka.
The Manchuria Empire was set up by Japan and was ruled substantially
by Japanese bureaucrats, who, like ones of the British Empire, had their
sons return to Japan for education. Abe was sent back to Tokyo to attend
Sejo Koko High School, a famous private school. He was later admitted to
the school of medicine of Tokyo University. In 1944, when he heard that
Japan would lose the war, and he forged a medical certificate to get home
to Manchuria.
Japan's defeat dissolved the Manchurian Empire. The ensuing disorder
near the end of 1946 found Abe's father wandering Manchuria attempting
to get back to Japan, but a bout of cholera proved fatal.
Abe then moved to Hokkaido, his father's hometown, but soon after
went back to Tokyo to finish studying medicine the next year. Abe
began experimenting at this time with a variety of radical social and
artistic theories. He joined a small literary/artistic/philosophical
group called Yoru no kai (Night Association), and soon after his
introduction to its leader, philosopher Hanada Kiyoteru, Abe joined
the Japanese Communist Party (along with most of the rest of Japan's
intelligentsia) and began experimenting with Marxism and surrealism in
his literature. Unfortunately, very little of Abe's work from this period
has been translated into English, but Abe's youth and idealism comes
through clearly in what are some of his most (blackly) humorous and
outspoken works. Abe also befriended many avant-garde artists and writers,
including some well-known Marxists such as Okamoto Taro, Tesigawara Hirosi,
Haniya Yutaka, and Hanada Kiyoteru. It was during this period that
he also married Yamada Matiko, who was later known as Abe Mati, a
theater artist and designer all of Abe's plays and book covers. Abe also
became the pupil of Jun Ishikawa, who was strongly against Marxism.
In 1947, Abe published his first work, a collection of poems, written in
1943 in memory of his father and his friends who died in Manchuria. He
printed 50 copies of Mumei Sishu (Anonymous Poems) on a cheap mimeograph
at his own expense.
Within a year, Abe graduated from medical school but did not become a
doctor (the rumor is he graduated only because he promised never to
practice medicine). Instead, he became an author, and published his
first novel, The Road Sign at the End of the Street.
The work was based on the life of his best friend,
Kanayama Tokio, who had run away from home and died in the Manchuria
desert.
In 1951, Abe received the most important Japanese literary prize, the
Akutagawa Award, for his novel The Crime of Mr. S. Karuma. In
1960 his novel The Woman in the Dunes won the Yomiuri Prize
for Literature. It was made into a film by Hiroshi Teshigahara in
1963 and won the jury prize at the Cannes Film Festival. Teshigahara
also made The Face of Another into a film.
Abe dedicated most of his later career to writing plays and
directing his own theatre troupe in Tokyo. He died on January 22, 1993.